I'm attaching my painting from last week up near Lodi. It seemed like a lot of the foliage color had faded but still some nice landscapes up there. This is the same hill I painted last year at this time.
Tom Gilbert
Friday, October 31, 2014
Tuesday, October 21, 2014
Plein Air Paintings @ Charles Allis Art Museum, Milwaukee
Seeing the LightWisconsin Plein Air Painting
October 17 - January 11, 2015
Opening Reception
Friday, October 17
6:00 to 8:30 p.m.
Members Only Preview 5:30 to 6:00 p.m.
October 17 - January 11, 2015
Opening Reception
Friday, October 17
6:00 to 8:30 p.m.
Members Only Preview 5:30 to 6:00 p.m.
Seeing the Light explores Plein Air painting through the works of nine prominent Wisconsin artists. Each artist demonstrates their ability to play with light in their own unique way while painting outdoors. Focusing on architecture, street scenes or landscapes, these nine artists celebrate the beauty found in Wisconsin. Join us for a contemporary look at Wisconsin Plein Air painting, by our very own. Seeing the Light features the work of Lori Beringer, Matt Holt, Shelby Keefe, Tom Kubala, Darron Lillian, Kyle Martin, Mary Ulm Mayhew, Tim Nachreiner, and Bonnie Paruch. ( I met Bonnie Paruch at her Door Co. studio last Saturday and she told me about this show at the Charles Allis Art Museum in Milwaukee. Looks like a great show for Wisconsin plein air painters.)
Sunday, October 19, 2014
Theodore Robinson and Sugar River Events
A good number of painters from our group just finished the Theodore Robinson Plein Air Event in Evansville this past Saturday. The weather was a bit on the wet and cloudy side but we had eight days to paint so we did catch a few days (or partial days) of good weather. And the country side fall colors were great. Three best of show awards were awarded by the judges. Congratulations to Jan Norsetter who won first prize and Diane Washa who won third. Many quite beautiful paintings were produced. I'm hoping those of you who participated will post some of your paintings.
I'm also attaching a notice for the "Seasons of the Sugar River Back Roads and Backwaters" show coming up in Monroe. I have one painting in that show which I'm also attaching (since they somehow failed to put it on the poster ;-)
Tom Gilbert
I'm also attaching a notice for the "Seasons of the Sugar River Back Roads and Backwaters" show coming up in Monroe. I have one painting in that show which I'm also attaching (since they somehow failed to put it on the poster ;-)
Tom Gilbert
Monday, October 13, 2014
Wednesday, October 1, 2014
Thursday, September 25, 2014
What Exactly is a Plein Air Painting?
I was going back over my blog posts and noticed how in nearly all cases I've taken my plein air
efforts home and worked on them further to varying extents. So then
are these not plein air paintings? There are the purists who say a
plein air painting must be done entirely on location. Others view
plein air primarily as studies to use in studio paintings.
In the November issue of Plein Air
Magazine Eric Rhoads weighs in on this this debate and says: “We
must get beyond these arbitrary restrictions and focus on the
important facts: Plein air paintings are those that are started
outdoors on location and reflect the sense of a scene as well as the
colors of light, shadow, atmosphere, and form that cannot be seen in
a photo. Whether it's a study or a landscape painting executed in
the studio that started en plein air, what
matters is the end result: quality works begun – and, in many
cases, completed – on location.”
One of my guiding
principles (that I picked up from the advice of various master
painters) is to never knowingly leave a painting with mistakes in it. If you see a problem, fix it. Always striving to work up to, at
least, your own judgment or standard of quality. This isn't always
easy and often there's the debate of whether one should risk
worsening a painting by trying to fix something. But for the
developing painter (not burdened with needing to sell paintings) I
think it's better to err on the side of fixing mistakes. So when I
get a plein air painting home I don't hesitate to work on it further
if I feel it needs it.
I can also the
understand the purist's viewpoint. I had a particularly good
painting day last summer where I got into “the zone” and had a
very enjoyable painting experience. When I finished I felt like the
painting was the trace of a great experience and I didn't want to
change anything. Almost as if I would be disrespecting that
experience if I touched up the painting. Of course, my more typical
painting experience falls somewhat short of “great”, and I may not hold a resultant
painting in such high regard.
These are my
thoughts, and others may have different, and valid, ideas on some of
these matters, but I do think Eric Rhoads is on the right track by
emphasizing that what matters is adherence to the authentic spirit of
plein air painting.
Tom Gilbert
Tuesday, September 23, 2014
Cam-Rock County Park
We had a good turnout, great weather, and a preview of some fall colors painting at Cam-Rock Park yesterday. I wasn't, however, very inspired by the painting I did, so instead, I'm posting a painting I did last Friday at Door Creek Park that I'm more excited about. I was really happy with how the overall texture of this one turned out. - Tom Gilbert
Sunday, September 14, 2014
Cherokee, too
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| © Jan Norsetter - 9.11.2014, oil on panel, 8" x 6" |
Lunch at Marla's was fantastic. Well worth the windy torment of the marsh.
Saturday, September 13, 2014
Cherokee Park
Last Thursday we painted at Cherokee Park on Madison's north side. This was after the previous day's rain and it was cloudy and surprisingly cool. But we were able to warm up after painting with a very nice lunch at Marla Brenner's house, who lives nearby. Combined with the steady breeze off the lake I wasn't able to get very far with painting but am posting what I finished at home. The wind was enough to flip the lily pads up sideways which I tried to capture (you might have to look close).
Tom Gilbert
Tom Gilbert
Sunday, September 7, 2014
Friday, August 22, 2014
Evansville Plein Air Painting Event
The site for info for this event is: http://www.ecp-wi.org/theodore-robinson-plein-air-competition.html
Thursday, August 21, 2014
Pheasant Branch Outing
Changing the painting date to Wednesday seemed to work out well. Here's a backlit painting I did at Pheasant Branch and then during the rainy day today, I worked on it more at home. Maybe I over did the dramatic cloud lighting thing but ... hey, I'm trying to compensate for my normal tendencies towards sutble, muted colors (i.e. sometimes "drab"). I'll eventually get that right balance which seems to be what painting is mostly all about. I'll pick a September painting date soon. Tom
Tuesday, August 12, 2014
Mineral Point 2014 Paint Out
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| E Survey Rd, oil on panel, 9x12" |
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| Morning on Suthers Rd, oil on panel, 11x17" |
The Mineral Point Paint Out was fun. We couldn't have had better weather. The countryside is so gorgeous the challenge is deciding what to paint.
I painted the Morning on Suthers Road on Thursday morning and the East Survey Road on Thursday evening. It's a bit of a marathon knocking out two paintings in one day. Actually, I tried two more paintings on Thursday but didn't finish either of them (yet).
My E Survey Road (above, top) painting received an honorable mention. I was surprised and pleased to get an award. There were lots of nice paintings (including Tom Gilbert's!).
Very happy I went. The artists were friendly and it's always fun to talk "shop". The organizers had a nice get together at the Walker House on Friday evening for all the artists. I met many of the artists there. Often, at plein air events, you don't see any of the other artists or you're too busy painting to chat with them. The party was a great way to get to know and chat with many of the other artists.
Sunday, August 10, 2014
Mineral Point Paint Out
Some painters from our group, or who painted with us at one time, participated in the Mineral Point Plein Air "Paint Out" event this past weekend. Including Mary McCormick, Marla Brenner, Diane Washa, Jan Norsetter and myself. I never saw a complete listing of painters so it's possible I'm missing someone else.
The best of show award was $1,000 and the event attracted a good number of high quality painters from Wisconsin and Iowa (and maybe more states). Jan didn't seem to be all that satisfied with her paintings but she still won one of the awards. Hopefully she will post the painting for the group to see. I'm attaching my painting showing an example of the great rural scenery in the area. The downtown historic village also provided good painting material and overall it was a fun event.
My only complaint is we had canvases stamped Thursday morning and then had to turn in paintings by 6 pm Friday. It would have been nice to have more days for a more leisurely painting pace. This was the first time for this event but I believe they plan to make it an annual event and they may make some changes for next year.
The best of show award was $1,000 and the event attracted a good number of high quality painters from Wisconsin and Iowa (and maybe more states). Jan didn't seem to be all that satisfied with her paintings but she still won one of the awards. Hopefully she will post the painting for the group to see. I'm attaching my painting showing an example of the great rural scenery in the area. The downtown historic village also provided good painting material and overall it was a fun event.
My only complaint is we had canvases stamped Thursday morning and then had to turn in paintings by 6 pm Friday. It would have been nice to have more days for a more leisurely painting pace. This was the first time for this event but I believe they plan to make it an annual event and they may make some changes for next year.
Wednesday, August 6, 2014
September Workshop
I just signed up for this workshop and since it will probably fill up quickly I thought I would post it in case anyone is interested. I attended Kyle's Values workshop in June and it was very helpful and alot of fun. He is an excellent painter and teacher. Using photo references is not my favorite way to paint but can be a big help especially when it gets too cold to paint outdoors (sorry, I should not even mention the word cold !) We plein air painters have really had a great summer so far!. Please feel free to contact me if you have any questions about Kyle's workshops, etc.
Friday, August 1, 2014
McCarthy Park, July 29, 2014
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| Jan Norsetter, 11x14, oil on panel, July 29, 2014 |
Monday, July 28, 2014
Thursday, July 17, 2014
Saturday, July 12, 2014
Babcock Park
Tom took this photo of me painting this week at Babcock Park. We had perfect weather with a good breeze to keep the bugs away. These pastels are painted on Pastelmat, a French paper that is smooth and suede-like and holds lots of pigment. They make a nice yellow color that is good for summer paintings but I often do underpaintings usually with pastel and alcohol which dries fast even when it's chilly. Pastelmat will take watercolor also. The park was a good place to paint and I wasn't bothered by the traffic noise. Nice to see Mary and Doug, too!
Wednesday, July 9, 2014
Another Spring Green Painting
Pat's painting from Spring Green inspired me to share a painting (actually, an underpainting) that's also from the Spring Green Preserve (but not done Plein Air). There's a lot of good painting material at the preserve and my painting shows one of the views if you hike on the trails to the hill tops. It was too far to carry my heavy easel. This is just the underpainting but I'm hesitating to paint over it because I like it as it is. But one of these days I'll finish it and hopefully not ruin what I consider to be a promising start.
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